Baddest DJ Timmy, has kicked off the year on a high note with the release of a brand new single titled “Touchdown.”
The energetic track features street-hop sensation Terry Apala, whose unique fusion of Apala rhythms and contemporary sounds adds depth and vibrancy to the song. “Touchdown” delivers an infectious blend of upbeat production, catchy lyrics, and dance-ready vibes, making it a strong contender for playlists and party rotations this new year.
With this collaboration, Baddest DJ Timmy once again proves his ability to bring together exciting talents to create sounds that resonate with music lovers across the country. Fans can expect “Touchdown” to dominate airwaves and clubs as the year unfolds.
Sheglass Akinrinola Kolawole, a Nigerian rising star, does music for a living. Aka (Ekun money) was born in the early 90s march 18. Akinrinola Kolawole's hobby is music
His father's name is Mr Akinrinola Akande and his mother's name is Mrs Akinrinola Ajoke
As four siblings name
• Mrs Akinola Omowunmi
• Mr Akinrinola Tunde
• Mrs Kalejaiye Omolara
• Mr Akinrinola Akinbode
Sheglass as a great passion for music, and his productions are massive.
Sheglass was born in Ajasa Command, Ipaja, Lagos, Nigeria.
Akinrinola Kolawole, known to fans as Sheglass, remains dedicated to his art. His legacy continues to inspire, empowering future generations of music enthusiasts.
Key Career Highlights (as of 2026)
• Active Discography: He has released numerous singles, notably "Sa to Naija" (Sped Up) in late 2025 and a collaboration with Lyta titled "Adura".
• Major Singles (2025): Recent releases include "Fàájì," "Sampulu," "MR. DJ," "Grateful (Freestyle)," and "Fi Ege Si".
• Independent Label: He operates under his own imprint, Sheglassmusic.
• Streaming Presence: His music is available across major platforms, including Apple Music, Audiomack, and Deezer.
Traycee Ink’s steady rise in Nigeria’s music industry is fast becoming one of the most inspiring grassroots stories to emerge in recent times. From a childhood shaped by hardship to a growing reputation as one of the country’s promising new voices, the young artiste’s journey reflects resilience, grit, and an unyielding belief in purpose.
Raised in a rural community by his grandparents after losing his mother at a young age, Traycee Ink was introduced early to the harsh realities of survival. With limited access to education due to financial constraints and little external guidance, he took on various forms of labour to support his household. From farm work to assisting his grandfather in selling palm wine, setting animal traps in the bush, and working as a hired farmhand for other farmers, his formative years were defined by struggle and self-reliance.
These experiences would later shape the discipline and emotional depth now evident in his music. Known for his romantic visual style and a distinctive sound that sets him apart from many of his peers, Traycee Ink has steadily built a catalogue of hit records that continue to resonate with listeners across the country.
Reflecting on his journey, the singer says his background remains a source of motivation rather than limitation. “I came from a place where nothing was promised, but I always believed my story could be bigger than my surroundings. Everything I went through in the village prepared me for this moment,” he said.
Despite the challenges that marked his early life, Traycee Ink has remained focused on his craft, carving out a distinct lane in Nigeria’s highly competitive music scene. His latest release signals another step forward in a career that many believe is only just beginning.
As fans and industry watchers keep a close eye on his growth, Traycee Ink’s story stands as a reminder that talent, when combined with perseverance, can rise from the most unlikely places. Congratulations continue to pour in for the young artiste as he embraces a future filled with promise and possibility.
Watch the Official Video for “Drama Queen” by Traycee Ink below:
Nigerian Afrobeats artist Young Busy is back with a new banger!
"Champagne" is the latest drop from the talented singer, songwriter, and rapper, and it's set to shake up the charts!
With a career spanning over a decade, Young Busy (Okhuelegbe Oseyi Sylvester) has built a reputation for blending sounds and styles that resonate globally. From performing at 12 in his village to studying Musical Theatre in Manchester, UK, and making waves in Italy, this artist's journey is inspiring!
"Champagne" is a taste of Young Busy's upcoming EP "Senior Elder", dropping in 2026. In the meantime, catch this new single and vibe to the Afrobeats magic.
In a dramatic twist that has silenced critics and exposed the hollowness of recent smear campaigns, the Independent Corrupt Practices and Other Related Offences Commission (ICPC) has officially ranked the Nigerian Upstream Petroleum Regulatory Commission (NUPRC)—under the leadership of Engr. Gbenga Komolafe—as the most transparent and compliant agency in Nigeria.
Just days after a phantom coalition alleged “financial opacity” and “secret accounts,” the Federal Government’s apex anti-graft body released its 2025 Ethics and Integrity Compliance Scorecard (EICS). The verdict? The NUPRC is not a den of corruption; it is the Gold Standard of Integrity.
The Scorecard That Ends the Debate
According to the report released on Tuesday, December 24, 2025, by ICPC Chairman Dr. Musa Aliyu, the NUPRC secured the 1st position out of 357 Ministries, Departments, and Agencies (MDAs) assessed.
* The Score: A staggering 91.83 points.
* The Meaning: This score reflects “Substantial Compliance” with ethics, internal control mechanisms, and statutory requirements.
* The Context: This audit covers the very period Engr. Komolafe was accused of “diverting revenues.”
It is statistically and procedurally impossible for an agency to operate “33 secret bank accounts” and “conceal $20 billion” while simultaneously passing the ICPC’s rigorous forensic audit of its internal controls with the highest score in the Federation.
A Tale of Two Oil Giants: NUPRC vs. The Rest
The vindication of Komolafe’s tenure is even more stark when placed against the backdrop of the wider oil and gas sector. While Komolafe’s NUPRC topped the chart, the Nigerian National Petroleum Company (NNPC) Limited was listed among the “High Corruption Risk” entities that failed to score a single point.
This data paints a clear picture: The regulator (NUPRC) was enforcing strict compliance and maintaining watertight books, while other players in the sector struggled with transparency. The narrative that Komolafe was the “problem” in the sector has been inverted by the facts. It appears his strict regulatory oversight—which likely earned him the NUPRC’s high integrity score—may have been exactly what made him a target for those resisting reform.
Dismantling the “Financial Opacity” Lie
The detractors claimed there were “leakages” and “unaccounted revenues.” The ICPC report, however, specifically evaluated MDAs on:
* Financial Management: Guidelines for funds and timely retirement of advances.
* Procurement Processes: Adherence to the Public Procurement Act.
* Internal Audit: Verification of payments and projects.
By scoring 91.83, the NUPRC demonstrated that its financial pipes were not leaking—they were among the most secure in government. While 99 other MDAs lacked guidelines for funds and 114 failed to submit financial reports, Komolafe’s NUPRC stood apart as a model of fiscal responsibility.
Facts Over Fiction
The timing of the ICPC report is poetic justice. It arrives as a final, irrefutable testimonial to Engr. Gbenga Komolafe’s service. The allegations of a “$20 billion diversion” have now been exposed for what they likely always were: a coordinated hit job designed to tarnish a reformer’s exit. But data does not lie.
As Engr. Komolafe bows out, he does so not with the stain of scandal, but with a badge of honor provided by the ICPC itself. He leaves behind an agency that is officially rated as the most ethically compliant institution in Nigeria. The smear campaign has failed. The scoreboard speaks for itself.
Gospel music minister CEA teams up with award-winning gospel icon Frank Edwards on a powerful new single titled “Chinwendum.” The song is a heartfelt declaration of total surrender and devotion to God, beautifully delivered through soul-lifting melodies and inspiring lyrics.
Chinwendum blends contemporary gospel sounds with deep worship elements, creating an atmosphere of reverence, faith, and gratitude. The collaboration brings together two passionate voices whose synergy elevates the song into a meaningful worship experience.
This spirit-filled record is a must-listen for gospel music lovers and a worthy addition to any worship playlist.
In every generation, a few men rise whose lives quietly redefine public service. Hon. Prof. Julius Ihonvbere is one of such men — a scholar-statesman whose journey has been marked by intellect, courage, and an uncommon devotion to the people he represents.
As the Majority Leader of the House of Representatives and the voice of Owan Federal Constituency in Edo State, Prof. Ihonvbere has consistently demonstrated that leadership is not about noise or self-praise, but about substance, vision, and results. Long before his emergence in the legislature, he had already earned national and international respect as a professor, policy thinker, and advocate for democracy and good governance. That rare depth of scholarship now reflects clearly in his legislative work.
In the House, his interventions are measured, informed, and purposeful. He understands the weight of lawmaking and approaches it with the discipline of an academic and the empathy of a grassroots representative. Whether debating national reforms, strengthening democratic institutions, or contributing to policies that affect ordinary Nigerians, his voice carries clarity and conviction.
Beyond the chambers of parliament, his impact is deeply felt at home. Communities across Owan Federal Constituency continue to benefit from his commitment to human capital development, education, infrastructure, and constituency empowerment. His belief that governance must touch lives has guided his engagement with youths, women, elders, and traditional institutions alike. For him, representation is not symbolic; it is practical and people-centered.
What sets Hon. Prof. Julius Ihonvbere apart is his integrity. In an era where public trust is often fragile, he has remained consistent in character and principle. He listens more than he speaks, consults widely, and acts with a sense of responsibility to both his conscience and his constituents. His leadership within the House has further shown his ability to build consensus, manage differences, and keep the broader national interest in focus.
This eulogy is not merely a praise of titles or positions, but a recognition of a life devoted to service. Prof. Ihonvbere represents the possibility of a politics guided by knowledge, humility, and genuine concern for the people. His work continues to inspire confidence that thoughtful leadership can still shape Nigeria’s present and future.
History will remember him not just as a Majority Leader or a legislator, but as a man who brought depth to governance and dignity to representation — a worthy son of Edo State and a committed servant of the Nigerian people.
